Corrupt Cosmopolitanism and the Savage Garden
        Joseph Conrads Heart of Darkness is the story of the meeting of both worlds, the so-called advanced cabaret of Europe and the Primitive society of Africa. Through come out of the closet the novel he explores the various characteristics that reveals what it means to be civilized juxtaposed with what it means to be savage. During the story fair Europeans are portrayed as powerful and educated, faithless and greedy, whereas the fatal Africans are weak and uneducated, faithful and selfless.
        At the beginning of his story, Marlow relates to his friends a scene that clearly portrays the power relationship between the European company men and the native Africans. When he arrives at the outside Station, he greeted at first by six foul men ... toiling up [a] path, each [having] an put right collar on his neck.(pgs 12 - 13) They are called enemies (pg 11), criminals (pg 13), and nothing further black shadows of disease and starvation (pg 14). Descriptions of the natives frequently liken them to unmingled animals: one of these creatures ... went off on all fours towards the river to drink. He lapped out of his and, then sat up in the sunlight ... and ... allow his wooly head fall on his breastbone (pg 14). This imaginativeness immediately precedes the image of the angelic caput accountant whom Conrad describes as a miracle (pg 15). Moreover, Marlow respected the fellow (pg 15) because of this display of wealth and power.
        The huge majority of the savage Africans are uneducated. This results in their being hardened as sub-human, and, despite the great number of them who perish during the argumentation of Marlows story, not one of them is mourned for. This is apparent early on when the chief accountant complains that he [hates] those savages-[hates] them to...
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