Hardy Neutral Tones †Pathetic Fallacy Essay

passim Neutral Tones, unafraid(p) in effect communicates his feelings ab step forward live using the essential knowledge domain and its (neutral) colours and characteristics. His function of rich imagery of the natural world produces a melancholic note about love, which resounds through the whole metrical composition portraying the end of an affair between dauntless and his former buffer.The background knowledge of the poetry is set in the first stanza as a wintertime day. Hardy uses the time of year to convey a reek of melancholia as winter often has a negative connotation and is associated with colder feelings and emotions. In this way, winter could be representing the frosty nature of the kind and how Hardys former caramel brown was cold towards him. The descriptions in the first stanza are both colourless (neutral tones) which suggests that Hardy feels as if he has no colour in his life, no love. His negative feelings about love are conveyed especially effectively here because they are expressed right at the beginning of the poem this sets an unhappy tone for the first stanza, which deepens further into the poem.In the second word of mouth of the first stanza, Hardy describes the sun as white and chidden of God. His use of the colour white suggests that his feelings about love are blank (or neutral), lifeless, and take down depressing. It contrasts with the typical colour of the sun yellow a symbol for ringing and happiness, both emotions that Hardy does not feel about or fulfill from loving the woman. In addition, the sun and pond are circular and non-angular in shape this portrays that Hardy feels as if thither is no escape from the electronegativity that he finds to be attached to his love and that it is never ending, in a loop. Hardy also may have meant for the sun to interpret his relationship God could have made it shine with yellow positivity, but rather He has made it a drab white tone maybe Hardy feels as if his relation ship and love have been condemned by God.Hardys miserable feelings are further emphasised by the vanguard rhyme of the letter L in a few leaves lay when direct aloud, the sound of the letter creates a kind of idle yet untune tone which relates to Hardys feelings towards love. He feels idle yet unsettled in the sense that whilst he cannot do anything to stop his affair from fall apart, he does not wish for it to do so. The L sound contrasts with the S sound later in the line, which is a harsher, more than acute sound, maybe representing the attitude of the lover towards Hardy at the end of their affair.The image created by the few leaves symbolises Hardys feeling that the love between him and his lover is disintegrating the leaves are related to natural life dying, but in this example Hardy uses a metaphor to relate the leaves instead to love dying. The starving sod suggests that Hardy feels that his relationship is starving, as if it were not universe fed enough love to keep it strong and happy and it has therefrom been reduced to sod treaded on and not special.The leaves that had fallen from an ash, and were gray symbolise the way that Hardy and his lover have also fallen out of love. Ash could mean ashes as thoroughly as the type of tree, carrying on the theme of death that was introduced earlier in the stanza. Also, the colour of ashes as well as the leaves is gray, a neutral colour, suggesting that Hardy has quite uncommunicative feelings about love. In addition, the description of the fallen leaves from the ash is quite dark that is, that the language is relatively reserved. This conveys the lack of passion that Hardy and the woman piece of land within their relationship.At the end of the third stanza, Hardys lovers bitter grin is described as sweeping thereby/Like an ominous darn a-wing This suggests that Hardy feels a sense of impend doom about love and his relationship with the woman as if he knows that something harmful is bound t o happen in the future and that the relationship is going down a dangerously steep downhill slope, destined for a crushing ending. The bird a-wing kind of represents how his love and passion for the woman is ephemeral away, like a bird. Another interpretation is that Hardy feels that the ominous bird mocks him, circling over him like a bird of prey he is stuck in a bout of love and pain in his relationship whilst the he imagines the bird soaring free.In the last stanza, Hardy refers to the sun as God-curst. This depicts a change in Hardys feelings about love from the beginning of the poem his language starts to show anger, rather than sadness. The reader or listener may interpret this as a religious file name extension from Hardy perhaps he feels that his failing love is inevitable because it has been predefined by God (this introduces the idea of fate coming into the equation).The poem starts and ends with the aforesaid(prenominal) emplacement and memory the pond. This su ggests that Hardy feels like he cannot escape from the constant cycle of love and pained grief that he has been experiencing, and that his memory of the pond survey and his feelings about love keep on repeating in his head perhaps Hardy feels somewhat trapped within his own heed with no escape.Hardys description of the natural world at the end of the poem, Your face, and the God curst sun, and a tree,/And a pond advance with grayish leaves. is very blunt and mostly monosyballic symbolising blankness, as if Hardys feelings are numb. This contrasts greatly with the much more emotive and descriptive language he used at the beginning to depict the same objects. This change suggests that Hardy has changed his view about love to a more cynical one, feeling as if love deceives and tricks him. Hardy uses this paradox to heighten the feeling of melancholia and the notion of a passionless relationship, emphasising the point that what passion there once was between Hardy and his lover is t here no longer.